Saturday Commoning
Fever is presented as an experimental project with quite promising aspects and
others that are still undeveloped.
In a project
all the components are essential and in this project it could be said that
there are strong differences in quality and development between the different
parts that define the whole project. The concept of departure of the project
itself offers quite a wide range of opportunities, exploding the possibilities
of the human activities in the urban environment to the limit of what is
legally accepted. Furthermore, the broadcasting media used is quite accurate ,
because it does not only work as a driving force but also it tends to create an
online platform, a community beyond the physical limits of the city that favours
the development and the spreading of the movement surpassing the virtual world
to the real materialization.
However the
weak points are mainly in the physical development of the project and on its
implementation.
The project is
finally materialized into four different models of generic structure that are
later adapted to the specific situations.
However, as we are talking about specific situations because the profitable
possibilities of legal chinks are not infinite it seems that the project does
not seek for a so automatic materialization as the one that has been carried
out. On the contrary, the study of the specific cases is essential and it needs
to be showed in the final materialization of the projects, both reaching
specific solutions or adaptable generic ones, experimenting with form and
materials.
The prototypes
are developed with a material that probably doesn't allow the flexibility the
project needs, as in order to get an aesthetic result the different templates
are developed with the wood palettes but they dubiously answer the needs that
they are supposed to. Too generic spaces
and too "versatile" with an appearance that is not in
accordance with the proposed actions of use.
Generally
speaking and in reference to the actions carried out (if any of them has
finally been carried out surpassing the theoric field), it looks as if in spite
of mobilisig the population by means of the social networks, this actions that
mainly respond to cultural and educational needs, leave the author quite apart;
the authors suggest their type solutions and the users take charge of the
pertinent actions. The authors does not really take active part, they give the
guidelines and the tools that in their point of view are valid and they somehow get out of the
project, there is no real implication, no deep social awareness , it is
something as if the interventions are not carried out from a real level.
To sum up, the
project is not presented as a solution for basic problems but more as a way of
providing the community with series of secondary necessities, that despite
being so fuzzy are not individually studied but released to a prototype.
In the line of
this project as for the intrusion and the exploitation of the legal chinks
stands out the work of Santiago Cirugeda and his Recetas Urbanas.
However the
approach of these projects is far from the previous example of Saturday Commoning Fever. These are
projects based on the optimization and the adaptation, no so worried about the
form as on the content, on the function and the economy of resources to answer to
different necessities in a very practical and, above all, active way, empowered by the commitment, the
critic and the indiscipline as main tools to make of the project feasible
actions that take profit for the common benefit.
In this sense
his architecture is not only a tool to provide the community with temporary
facilities but a "whole critic against the usual ways in which
architecture is developed according to master plans".
Other similar
examples of this type of dubious legal architecture are:
Hsieh Ying-Chun, Taipei (Taiwan)
La Casa por el tejado, Barcelona
Todo por la
praxis, sharing the spread of collective movilisation by social networks.
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